Partitures

Original

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Traducció

Plaudite tympana à 54. Heinrich Biber. Orquestra. 2 grups de corda. 2 violins, violes cada 4. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompetes, timbals cada. , Dos òrgans, contínua. Sagrat, Motet, Himne. Idioma. Latin. SSAATTBB–SSAATTBB.

Original

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Traducció

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Les forces vocals i instrumentals comprenen 16 solistes i veu ripieno parts, i almenys 38 instruments. el continu suposa incloure un baix de viola, entre d'altres instruments greus, i possiblement un altre instrument de teclat, a més dels dos òrgans. In this motet, only the second bass of the second choir lacks a designated solo part. La puntuació sobreviu com un manuscrit inscrit en massives 80 centímetres d'altura pàgines. Des de l'època de la seva redescobriment al segle 19 l'obra es va atribuir a principis del segle 17 compositor Orazio Benevoli. que hauria estat 23 anys a la data suposada de composició. O la tarda Salzburg compositor Andreas Hofer, però, l'erudit Biber va assenyalar Ernst Hintermaier va mostrar en la dècada de 1970 que Biber és l'única possible, compositor de l'obra.