Partitures $65.00

Original

String Quartet No. 12 in F Major, Op. 96. American. for Wind Quintet. Antonin Dvorak. Bassoon sheet music. Cello sheet music. Horn sheet music. Oboe sheet music. Viola sheet music. Violin sheet music.

Traducció

Quartet de cordes N º 12 en fa major, op. 96. Americà. per a quintet de vent. Antonin Dvorak. Partitures Fagot. Partitura Cello. Partitures de Forns. Partitures Oboè. Full Viola música. Partitures per a violí.

Original

String Quartet No. 12 in F Major, Op. 96. American. for Wind Quintet. The New York Woodwind Quintet Library Series. Composed by Antonin Dvorak. 1841-1904. Edited by Charles Neidich. Arranged by George Barrere and Samuel Baron. For Woodwind Quintet. Score & Parts. Southern Music. Southern Music Company #SU781. Published by Southern Music Company. HL.124645. ISBN 1581061706. 9x12 inches. AntoninDvorak composedthe quartet in F Major, op. 96 “The American” in the summer of 1893 during hissummer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in “AmericanMusic” and felt that Native American and Afro-American music could inspire an“American Music” distinct from European influences. He was inspired by. HenryThacker. Harry Burleigh, his student in New York and one of the firstAfro-American composers. While it isimpossible to know why Georges Barrere chose Dvorak's F Major Quartet totranscribe for Woodwind Quintet, we may easily hazard several guesses. Firstly,it was a work much beloved by the public and very respected by professionalmusicians. As an immigrant himself, Barrere could easily sympathize withDvorak's desire to create a distinctly American work. A work in the key of FMajor, it lent itself easily to wind transcription. While known as the Barreretranscription, it turns out that Samuel Baron, one of Barrere's most famousstudents and a long time member of the New York Woodwind Quintet, who has tohis credit a long list of wonderful transcriptions for woodwind quintet, playeda significant role in the transcription.

Traducció

Quartet de cordes N º 12 en fa major, op. 96. Americà. per a quintet de vent. La Biblioteca de la Sèrie Nova York Quintet de alens. Compost per Antonin Dvorak. 1841-1904. Editat per Charles Neidich. Arreglat per George Barrere i Samuel Baron. Per Quintet de alens. Puntuació. Southern Music. Южный Music Company. Publicat per Southern Music Company. HL.124645. ISBN 1581061706. 9x12 polzades. AntoninDvorak quartet composedthe en fa major, op. 96 L'americà en l'estiu de 1893 durant hissummer vacances a Spillvale, Iowa. Des 1892-1895, Dvorak es va exercir com a director del Conservatori Nacional de Música a Nova York. . Es va inspirar en. HenryThacker. Harry Burleigh, el seu alumne a Nova York i un dels compositors firstAfro-americans. Si bé isimpossible saber per què Georges Barrere va triar Fa Major Quartet totranscribe de Dvorak per a Quintet de alens, podem aventurar fàcilment diverses conjectures. En primer lloc, era una obra molt estimat pel públic i molt respectat per professionalmusicians. Com un immigrant, Barrere fàcilment podria simpatitzar desig de withDvorak per crear una obra típicament americà. Una obra en la clau de FMajor, es prestava fàcilment a acabar la transcripció. Encara conegut com el Barreretranscription, resulta que Samuel Baron, un dels més famousstudents de Barrere i un membre de llarg termini de la Nova York Quintet de alens, que té tohis acreditar una llarga llista de transcripcions meravelloses per a quintet de vent, playeda paper significatiu en la transcripció.