Partitures $65.00

Original

Air Mail Special. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Traducció

Correu aeri especial. Benny Goodman. Partitures de guitarra. -Si bemoll trompeta partitures. Clarinet Només la música de fulla. Música Drums full. Partitures de percussió. Partitures per a piano. Partitura Trombone. Avançat.

Original

Air Mail Special by Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 2 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8206. In 1941, Benny Goodman led the second of his great ensembles. Only Teddy Wilson, Irving Goodman, and arranger Jimmy Mundy remained from the 1935-39 band that jump-started the swing era of popular music. This band still played the music of Fletcher Henderson, but Eddie Sauter was contributing a great deal to its musical personality. This band would also highlight the early work of pianist. arranger Mel Powell. Air Mail Special was originally titled Good Enough To Keep , which was recording session-speak for "This may not be the performance that we want to release to the public, but let's hold on to it just in case. " Many of these alternate performances were eventually released to the public, in many cases to the consternation of the musicians themselves, who didn't enjoy some of their lesser efforts being heard. Of course, some alternate performances are better than the ones that were released, only held back because of a single mistake. It was Mundy who arranged this for the Goodman band, and he is even cut in on composer credit, a generous gesture on Benny's part, who also took a piece for himself. As we know, the tune was the sole creation of guitarist Charlie Christian, who wrote a number of pieces that Goodman played mostly in small-group settings. Mundy also arranged this for Count Basie and Harry James, and played it when he led his own big band in 1946. Please note that this is the complete arrangement from the original parts in the Benny Goodman library. Some sections were cut by Goodman, but restored here. Mundy makes interesting use of stop-time in this arrangement, and these sections should get extra attention so that the band sounds like one person. This arrangement, like all of Goodman's arrangements, was meant to be danced to, so it really should not be played too fast.

Traducció

Correu aeri especial per Benny Goodman. Editat per Jeffrey Sultanof. Arreglat per Jimmy Mundy. Per big band. Clarinet Sol, 2 saxofons, 2 saxofons de tenor, saxòfon baríton, 4 trompetes, 2 trombons, guitarra, piano, baix, bateria. Gronxador. Medi Difícil. Partitura i parts. Publicat per Jazz Lines Publicacions. JL.JLP-8206. El 1941, Benny Goodman va portar el segon dels seus grans conjunts. Només Teddy Wilson, Irving Goodman i arranjador Jimmy Mundy romandre des de la banda de 1935 a 1939 de saltar-va començar l'era del swing de la música popular. Aquesta banda encara es juga la música de Fletcher Henderson, però Eddie Sauter estava contribuint en gran mesura a la seva personalitat musical. Aquesta banda també destacaria els primers treballs del pianista. arranjador Mel Powell. Correu Aeri Especial va ser originalment titulada Good Enough to Keep, que estava gravant la sessió-parla de "Això no pot ser el rendiment que volem llançar al públic, però anem a aferrar-se a ella per si de cas. "Moltes d'aquestes actuacions alternatives van ser alliberats finalment al públic, en molts casos, per a la consternació dels propis músics, que no gaudien d'alguns dels seus esforços menors sent escoltades. Per descomptat, algunes actuacions alternatives són millors que els que es van publicar, només frenada per un sol error. Va ser Mundy que va arreglar això per la banda de Goodman, i ell fins i tot es va tallar en el crèdit compositor, un gest generós per part de Benny, que també va prendre un tros de si mateix. Com sabem, la melodia era l'única creació del guitarrista Charlie Christian, qui va escriure una sèrie de peces que Goodman juga sobretot en els entorns de grups petits. Mundy també va organitzar això per Count Basie i Harry James, i la va jugar quan va dirigir la seva pròpia banda el 1946. Tingueu en compte que aquest és l'arranjament complet de les peces originals de la biblioteca de Benny Goodman. Algunes seccions van ser tallades per Goodman, però restaurats aquí. Mundy fa ús interessant dels temps de parada en aquesta disposició, i aquestes seccions ha de rebre una atenció especial perquè la banda sona com una persona. Aquesta disposició, igual que tots els acords de Goodman, estava destinat a ser ballada, així que realment no s'ha de jugar massa ràpid.