Partitures $65.00

Original

Good Bait. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Traducció

Bé Bait. Partitures de guitarra. -Si bemoll trompeta partitures. Música Drums full. Partitures de percussió. Partitures per a piano. Partitura Trombone. Avançat.

Original

Good Bait edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8493. From the notes by Jeffrey Sultanof. Background. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. Unfortunately Dameron was institutionalized in Kentucky for drug possession from 1958 through 1961. While still in prison, he contributed several arrangements to a Blue Mitchell album on Riverside Records, and when he was released, Riverside wanted him to make an album of his own. The Magic Touch was the result, and this resulted in various composing and arranging assignments, most notably for Benny Goodman, who commissioned several scores from Dameron for his 1962 big band that made an historic tour of the Soviet Union. The Music. Good Bait had originally been written for Count Basie, and was copyrighted in 1944. Dameron also arranged the tune for the Billy Eckstine Orchestra, and when that ensemble folded, Dizzy Gillespie added the setting to his book, playing it frequently. Basie began playing it in 1948 after Gillespie popularized it. In 1962, publisher Bregman, Vocco &Conn asked Dameron to arrange this for big band publication, as well as other titles that he'd composed over the years that they owned. This version of Good Bait includes the unison brass line after the instrumental solos. All of the BVC publications had numerous errors in pitch, rhythm and transposition. This publication of Good Bait has been newly edited and corrected. Notes to the Conductor. Even though the Gillespie RCA Victor performance is well-known, in my opinion it is a little fast, perhaps the natural result of playing the piece very often and wanting to make it more exciting. If you can find it, the 1948 Salle Pleyel concert recording has an excellent tempo. Good Bait should sound relaxed, with careful attention to dynamics. There are several soft dissonances in the writing, and I assure the band director that the notes have been double-checked for accuracy. Acknowledgements. We wish to thank Mia Dameron and Don Sickler for their support of our Tadd Dameron series of arrangements. Ranges. Trumpet 1 to C6 Trombone 1 to Bb 5.

Traducció

Bé Bait editat per Jeffrey Sultanof. Arreglat per Tadd Dameron. Per big band. 2 saxofons, 2 saxofons de tenor, saxòfon baríton, 4 trompetes, 4 trombons, guitarra, piano, baix, bateria. Gronxador. Medi Difícil. Partitura i parts. Publicat per Jazz Lines Publicacions. JL.JLP-8493. De les notes de Jeffrey Sultanof. Fons. Tadd Dameron va ser un compositor més influent. arranjadors en la música americana. Nascut el 1917, va escriure per a bandes liderades per Jimmie Lunceford, Count Basie, Billy Eckstine. moltes composicions originals realitzats posteriorment per l'Orquestra de Dizzy Gillespie van ser escrits originalment per Eckstine. , Ted Heath i Tommy Dorsey. Ell també va organitzar per Sarah Vaughan, Pearl Bailey i la subestimada Kay Penton. Dameron portar diversos grups per a concerts en viu i enregistraments, i els músics amb els que jugava constituir un qui és qui de jazz. En un moment o altre de seus conjunts inclosos Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane i Clifford Brown. Desafortunadament Dameron es va institucionalitzar a Kentucky per possessió de drogues de 1958 a 1961. Tot i que encara a la presó, ell va contribuir diversos arranjaments per a un àlbum Blue Mitchell a Riverside Records, i quan va ser alliberat, Riverside volia que es crea un àlbum de la seva pròpia. El toc màgic era el resultat, i això va donar lloc a diverses compondre i arreglar les tasques, sobretot per Benny Goodman, que van encarregar diverses partitures de Dameron per a la seva big band 1962 que va fer un recorregut històric de la Unió Soviètica. La Música. Bon esquer havia estat originalment escrita per Count Basie, i va ser amb drets d'autor en 1944. Dameron també va organitzar la melodia de l'orquestra de Billy Eckstine, i quan aquest conjunt plegat, Dizzy Gillespie afegeix el valor a la seva llibre, jugant sovint. Basie va començar a jugar el 1948 després de Gillespie va popularitzar. El 1962, l'editorial Bregman, Vocco. Aquesta versió de bon esquer inclou la línia de llautó a l'uníson després dels solos instrumentals. Totes les publicacions de la BVC tenia nombrosos errors en el to, el ritme i la transposició. Aquesta publicació de Bon esquer ha estat recentment editat i corregit. Notes per al Conductor. Tot i que és ben conegut el rendiment Gillespie RCA Victor, al meu entendre, és una mica més ràpid, potser el resultat natural de tocar la peça amb molta freqüència i amb ganes que sigui més emocionant. Si el troba, el 1948 l'enregistrament de concerts Salle Pleyel té una excel · lent tempo. Bon esquer ha de sonar relaxat, amb una acurada atenció a la dinàmica. Hi ha diverses dissonàncies tous en l'escriptura, i els asseguro el director de la banda que les notes han estat a quadres doble de la precisió. Agraïments. Volem agrair a Mia Dameron i Don Sickler pel seu suport a la nostra sèrie Tadd Dameron d'acords. Rangs. Trompeta 1 a C6 Trombone 1 a 5 Bb.