Partitures $26.99

Original

Bluegrass Jazz Guitar Volume 1. Electric Guitar sheet music. Flatpicking Guitar sheet music. Advanced.

Traducció

Bluegrass Jazz Guitar Volum 1. Electricitat partitures Guitar. Flatpicking partitures Guitarra. Avançat.

Original

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. For Guitar. Flatpicking. Saddle-stitched, methods. Grossman Audio. Solos. Transcriptions. Intermediate-Advanced. Book. 3-CD Set. 36 pages. Published by Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Transcriptions. 8.75 x 11.75 inches. Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various world music styles. When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. Titles presented in Volume 1 include. Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included.

Traducció

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. Per Guitarra. Flatpicking. Cosits amb cadira, mètodes. Grossman Àudio. Sols. Transcripcions. Intermedi-Avançat. Llibre. 3-CD Set. 36 pàgines. Publicat per Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Sols. Transcripcions. 8,75 x 11,75 polzades. Guitarra Flatpicking ha pres un viatge interessant, des de la seva creació, primer amb Maybelle Carter, llavors Don Reno, Doc Watson i Clarence White. Els jugadors més joves que van començar a escoltar els mestres originals s'han fusionat aquestes influències amb altres estils, incloent blues, swing, clàssica i fins i tot diversos estils de música del món. La primera vegada que escolta de Doc Watson i Clarence White, Barry Solomon ser particularment atrets per l'ús de swing i jazz llepa i frases, i les seves opcions de cançons directament des del Tin Pa Alley i Great American Songbook. Tunes com Limehouse Blues, All of Me, i Honeysuckle Rose eren reptes interessants per explorar després de sentir còmode amb el bluegrass i melodies de violí. Barry sempre va pensar que el bluegrass i el jazz eren una combinació meravellosa, i el desafiament més gratificant ha estat la creació dels arranjaments que s'uneixen els dos estils d'una manera elegant i emocionant. Títols que es presenten en el volum 1 inclou. Lady Be Good, Take the A Train, Blues de Solly, tornada a casa a Indiana, haurà Mai Sigues altre Vostè i Geòrgia On My Mind. Acompanyament d'àudio està inclòs.