Partitures $5.95

Original

Ne timeas, Maria. Choir sheet music.

Traducció

Timeas Ne, Maria. Partitures Cor.

Original

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Traducció

Timeas Ne, Maria. No. 1 from Three Marian Motets. Compost per Ko Matsushita. Per SSAA cor. Carus Contemporani. Música coral contemporània. Advent, Festes de la Santíssima Mare de Déu, himnes de lloança a la Mare de Déu. Partitura general. Idioma del text. Llatí. 8 pàgines. Publicat per Carus Verlag. CA.964200. ISBN M-007-14351-0. Amb el llenguatge del text. Llatí. Advent, Festes de la Santíssima Mare de Déu, himnes de lloança a la Mare de Déu. Composició de Matsushita es basa en elements de l'antífona gregoriana. Comença a l'uníson cant gregorià, com era típic de motets renaixentistes, i l'inici de noves línies de text també es deriven de material d'gregorià. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Després d'ascendir re major arpegis, la paraula central "Jesu" irradia en fa sostingut major, la següent repetició en el compàs d'una vuitena en C és més tranquil, acabant pacíficament amb un acord de Fa major, ppp.