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Original

Overture. Suite. No. 2 in B Minor, BWV 1067. Johann Sebastian Bach.

Traducció

Obertura. Suite. No. 2 in B Minor, BWV 1067. Johann Sebastian Bach.

Original

Overture. Suite. No. 2 in B Minor, BWV 1067 composed by Johann Sebastian Bach. 1685-1750. Arranged by Harry Newstone. For Orchestra. Study Score. Eulenburg Taschenpartituren. Pocket Scores. Study Score. 44 pages. Eulenburg Edition #ETP821. Published by Eulenburg Edition. HL.49010305. ISBN 379576842X. 5.25x7.5 inches. From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers. including Rosenmüller, Fischer, Fasch and Telemann. had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.

Traducció

Obertura. Suite. No. 2 in B Minor, BWV 1067 composed by Johann Sebastian Bach. 1685-1750. Arreglat per Harry Newstone. Per Orquestra. Partitura d'Estudi. Eulenburg Taschenpartituren. Pocket Scores. Partitura d'Estudi. 44 pàgines. Eulenburg Edició ETP821. Publicat per Eulenburg Edició. HL.49010305. ISBN 379576842X. 5.25x7.5 inches. Des de principis del segle 17 fins a la forma compromesa els interessos de Johann Sebastian Bach, diversos compositors alemanys notables. incloent Rosenmüller, Fischer, Fasch i Telemann. havien contribuït al desenvolupament de la suite orquestral o 'Ouverture', el nom delata els seus orígens teatrals franceses. Des del propi Bach només quatre suites han arribat fins a nosaltres gràcies a la diligència d'CFPenzel, que era un estudiant de la Thomasschule des de 1751, i que va fer còpies dels manuscrits de Bach que va trobar allà. Per tant, ni les dates ni l'ordre de la composició de les suites es poden establir amb certesa. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.