Partitures $50.00

Original

Deception. Miles Davis. Alto Saxophone sheet music. B-Flat Trumpet sheet music. Baritone Saxophone sheet music. Bass Trombone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Tuba sheet music. Advanced.

Traducció

Engany. Miles Davis. Full Saxòfon Alt música. -Si bemoll trompeta partitures. Partitures Saxòfon Baríton. Full Trombó Sota la música. Música Drums full. Partitures de Forns. Partitures de percussió. Partitures per a piano. Partitura Tuba. Avançat.

Original

Deception by Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For nonet. Alto Saxophone, Baritone Saxophone, Trumpet, Horn in F. or Trumpet 2. , Trombone, Tuba. or Bass Trombone. , Piano, Bass, Drums. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8058. from the performance notes by Jeffrey Sultanof. Except for a rare few, historians now consider The Miles Davis Nonet one of the most important ensembles in the history of jazz. Certainly such composers as Shorty Rogers, Andre Previn, Marty Paich, John Graas, Jack Montrose, Manny Albam and Andre Hodeir were heavily influenced by the nonet, as their music shows. Happily, many of the original parts of the sides recorded, plus parts for other compositions and arrangements for this ensemble, were discovered in three cartons of music that Miles Davis put into storage in Philadelphia and reclaimed after his death. In 2002, my edition of 12 scores from the repertoire of this ensemble was published by the Hal Leonard Corporation. An article detailing the editing process and errata in the folio itself will be published by the Journal of Jazz Studies in 2010. These Jazzlines Publications are extensively re-edited, and I now consider these new editions definitive. Deception was Miles' take on George Shearing's Conception and was recorded on the last Capitol nonet session. The piece is surrounded by mysteries that will never truly be sorted out. It appears that Miles began arranging and copying the piece. there is a two-stave piano sketch and most of the parts available. there is no horn, piano and drum part extant. , and while it has never been confirmed, both the piano sketch and parts are in Miles hand for the beginning of the piece. Mulligans hand takes over at about bar 61 on the parts, but each part has a different starting point for Gerrys portion of the arrangement. I am not aware that Mulligan ever commented on this piece, and probably considered it a favor to help out Miles. A special note on the chord names. since there was no original piano part, it was Rob Duboffs idea to consult the piano part for the Re-birth of the Cool album. Because Mulligan had seen and approved them, many of these chord names were adopted for this publication. Lastly, alternate parts have been included in the event that you don't have access to a horn in F or tuba. A trumpet 2 part has been included as a substitute for the horn and the tuba part may be played by a bass trombone.

Traducció

Decepció per Miles Davis. Editat per Jeffrey Sultanof. Organitzat per Gerry Mulligan. Per Nonet. Saxòfon Alt, Saxòfon baríton, trompeta, trompa en Fa. o Trompeta 2. , Trombó, Tuba. o Bass Trombone. , Piano, baix, bateria. Gronxador. Difícil. Partitura i parts. Publicat per Jazz Lines Publicacions. JL.JLP-8058. de les notes sobre els resultats de Jeffrey Sultanof. A excepció d'algunes rares, els historiadors consideren ara The Miles Davis Nonet un dels conjunts més importants de la història del jazz. Certament compositors com ara Chiquito Rogers, Andre Previn, Marty Paich, John Graas, Jack Montrose, Manny Albam i Andre Hodeir estaven molt influenciats pel Nonet, com els seus shows musicals. Afortunadament, moltes de les peces originals de les parts gravades, a més de peces per a altres composicions i arranjaments per aquest conjunt, van ser descoberts en tres caixes de música que Miles Davis posa en l'emmagatzematge a Filadèlfia i recuperada després de la seva mort. El 2002, la meva edició de 12 partitures del repertori d'aquest conjunt va ser publicat per Hal Leonard Corporation. Un article que detalla el procés d'edició i errades en el mateix foli serà publicat per la Revista d'Estudis de Jazz a 2010. Aquests Jazzlines Publicacions estan àmpliament reeditats, i ara consideren que aquestes noves edicions definitives. L'engany era Milers assumir Concepció de George Shearing i es va registrar en l'última sessió Nonet Capitol. La peça està envoltada de misteris que mai realment ser solucionat. Sembla que Milers començar a arreglar i la còpia de la peça. hi ha un esbós de piano de dues làmines i la majoria de les peces disponibles. no hi ha banya, piano i part de bateria existent. , I mentre que mai s'ha confirmat, tant l'esbós piano i parts són en Milers mà per al començament de la peça. Mulligans mà es fa càrrec en al voltant de la barra 61 a les parts, però cada part té un punt de partida diferent per la part Gerrys de la disposició. No tinc coneixement que Mulligan mai ha comentat aquesta peça, i, probablement, considerat com un favor per ajudar a Miles. Una nota especial sobre els noms dels acords. ja que no hi havia peça original de piano, va ser idea de Rob Duboffs consultar la part de piano per a la Re-Birth of the Cool àlbum. A causa Mulligan havia vist i aprovat, molts d'aquests noms dels acords es van adoptar per a aquesta publicació. Finalment, les parts alternes s'han inclòs en el cas que vostè no té accés a una trompa en Fa o tuba. Una part trompeta 2 s'ha inclòs com un substitut de la botzina i la part de la tuba pot ser jugat per un trombó baix.