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Original

The Kaleidoscopic Pocket Hockets Boogaloo. Arthur Gottschalk. Bass Clarinet sheet music.

Traducció

El calidoscòpic Pocket Hockets Boogaloo. Arthur Gottschalk. Bass Clarinet full de música.

Original

The Kaleidoscopic Pocket Hockets Boogaloo composed by Arthur Gottschalk. For Clarinet Choir, Bass Clarinet Choir. Chamber music, 20th century. Published by Potenza Music. P2.30037. The Kaleidoscopic Pocket Hockets Boogaloo takes its title from Tom Wolfe's "The Electric Kool-Aid Acid Test," and its inspiration from the literary genre described as "Hysterical Realism. " Hysterical realism, also called recherche postmodernism, is a term coined in 2000 by the English critic James Wood to describe a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization and careful, detailed investigations of real specific social phenomena. He used the term to denote the contemporary conception of the "big, ambitious novel" that pursues "vitality at all costs" and consequently "knows a thousand things but does not know a single human being. " He decried the genre as an attempt to "turn fiction into social theory," and an attempt to tell us "how the world works rather than how somebody felt about something. " The Kaleidoscopic Pocket Hockets Boogaloo uses elaborate and extravagant virtuosity from its performers and their instruments, incorporates styles ranging from Adams-like minimalism to Taj Mahal funk, and cites motives and progressions from works as diverse as "Grazin' in the Grass," "The Horse," and Stravinsky's "Ebony Concerto. " But it does not know a single human being.

Traducció

El calidoscòpica butxaca Hockets Boogaloo composta per Arthur Gottschalk. For Clarinet Choir, Bass Clarinet Choir. Música de cambra, del segle 20. Publicat per Potenza Music. P2.30037. El calidoscòpic Pocket Hockets Boogaloo pren el seu títol de Tom Wolfe, "The Kool-Aid Acid Test elèctric", i està inspirat en el gènere literari descriu com "realisme histèric. "Realisme histèric, també anomenat postmodernisme recherche, és un terme encunyat en 2000 pel crític James Wood Anglès per descriure un gènere literari caracteritzat per un fort contrast entre la prosa elaborada absurd, el traçat, o la caracterització i acurades investigacions i detallades dels fenòmens socials específics reals. Ell va utilitzar el terme per referir-se a la concepció contemporània de la "ambiciosa novel gran" que persegueix "la vitalitat a qualsevol preu" i en conseqüència "sap mil coses però no sap un sol ésser humà. "Ell va denunciar el gènere com un intent de" convertir la ficció en la teoria social ", i un intent de dir-nos" com funciona el món en lloc de com algú se sentia sobre alguna cosa. "El calidoscòpic Pocket Hockets Boogaloo utilitza elaborada i extravagant virtuosisme dels seus intèrprets i els seus instruments, incorpora estils que van des Adams-com el minimalisme a Taj Mahal funk, i cita els motius i les progressions d'obres tan diverses com" Grazin 'in the Grass "," El cavall, "i de Stravinsky" Concert de Banús. "Però no sap un sol ésser humà.