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Original

Sonata per Flauto traverso e Basso continuo. Wilhelmine von Bayreuth. Flute Solo sheet music. Piano Accompaniment sheet music. Beginning.

Traducció

Sonata per a flauta i baix continu. Wilhelmine de Bayreuth. Full Flute Només la música. Partitures Acompanyament de Piano. Començament.

Original

Sonata per Flauto traverso e Basso continuo composed by Wilhelmine von Bayreuth. 1709-1758. Edited by Adelheid Krause-Pichler and Irene Hegen. For flute and piano. Flute. Instrumental Music. Easy to medium. Score and parts. Composed about 1730. Duration 10'. Published by Furore Verlag. FV.FUE-4680. ISBN M-50012-968-4. Instrumental Music. The flute sonata, which was only recently discovered and is printed here for the first time, is the second autograph manuscript of Wilhelmine von Bayreuth known at present. The A flat sonata was originally written for the then common transverse flute, and yet it can also be played today with the modern Boehm-flute. The instrumentation of the bass part is not specified. for harpsichord alone, or harpsichord with violoncello to intensify the bass. The presto of the sonata shows, that Wilhelmine preferred "wild thundering flute playing" over an affected performance.

Traducció

Sonata per Flauto traverso e Basso continuo composed by Wilhelmine von Bayreuth. 1709-1758. Editat per Adelheid Krause-Pichler i Irene Hegen. Per a flauta i piano. Flauta. Música Instrumental. Fàcil de mig. Partitura i parts. Composta cap a 1730. Durada 10 '. Publicat per Furore Verlag. FV.FUE-4680. ISBN M-50012-968-4. Música Instrumental. La sonata de flauta, que va ser descobert recentment i està imprès aquí per primera vegada, és el segon manuscrit autògraf de Wilhelmine von Bayreuth conegut en l'actualitat. El Una sonata plana va ser originalment escrit per a la flauta travessera llavors comú, i no obstant això, també es pot jugar avui amb la moderna Boehm-flauta. No s'especifica la instrumentació de la part del baix. per a clavecí sol, o clavecí amb violoncel per intensificar els greus. The presto of the sonata shows, that Wilhelmine preferred "wild thundering flute playing" over an affected performance.