Partitures $65.00

Original

Little Rootie Tootie. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Traducció

Poc Rootie Tootie. Partitures de guitarra. -Si bemoll trompeta partitures. Música Drums full. Partitures de percussió. Partitures per a piano. Partitura Trombone. Avançat.

Original

Little Rootie Tootie by The Thelonious Monk Big Band. Edited by Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. 1 Alto Saxophone, 2 Tenor Saxophones, 1 Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium-difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8367. Background. Thelonious Monk had gone from a quirky pianist. composer to international star, in many ways thanks to a Columbia Records recording contract that began in 1962. Like fellow jazz artists on the label such as Dave Brubeck and Miles Davis, worldwide distribution of his recordings resulted in important engagements and tours all over the globe. By 1968 however, Columbia Records was changing its focus with regard to jazz and popular music. The home of Tony Bennett, Andy Williams and Johnny Mathis as well as Brubeck and Davis was now the home of Janis Joplin, Simon and Garfunkel, The Byrds and Paul Revere and the Raiders, so Bennett, Mathis and company were now encouraged to modernize. Miles Davis was going in that direction anyway, so he would have little problem at the label in the years to come. Mathis and Williams went pop. rock by choosing their songs carefully and were quite successful. Bennett refused to be something he wasn't, and finished out his contract with no support from the label. one of the albums he made during this period was one of his finest, arranged and conducted by Robert Farnon. it was barely released in the U.S. Brubeck just left the label. Thelonious Monk was in an unusual position at that time. He'd completed a problematic but successful international tour with an all-star octet. nonet, which was inexcusably not recorded by Columbia. some recordings from this tour are available on unauthorized CDs. He wasn't composing much new material, and Columbia wanted him to record songs written by the Beatles. His days were clearly numbered, but Columbia ended his contract with a bang. he made an album of his songs with big band. If anyone was a good fit to arrange the music of Thelonious Monk,. besides Hall Overton, arranger for Monk's appearances at Town Hall and Philharmonic Hall. , it was Oliver Nelson. By 1968, Nelson was a resident of Los Angeles after spending many years as part of the New York jazz scene. A saxophonist who had a very wide musical range, from rhythm and blues to hard bop and concert music for chamber groups and symphonic orchestra, he continued to write for singers, tour with his own small and large ensembles, and was now writing for television and motion pictures. He must have been delighted to work with Monk, but it was clear that this album was to be done quickly. Nelson's arrangements are very straightforward. theme, solos, out-chorus. , written for four reeds, six brass, guitar, bass, drums, and Monk. The album was recorded in three three-hour sessions, two of which were done in one day. The album itself received little publicity, and did not last long in the www. Notes to the Conductor. As stated above, these arrangements are not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it. 4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums. no optional parts have been added. When Nelson arranged these pieces, there were no lead sheets, so Monk played them for the arranger, who took them down. Several years ago, publisher Don Sickler prepared a folio of Monk lead sheets published by Thelonious Music and distributed by Hal Leonard. I was one of the editors who worked with Don. All melodies in these big band settings conform to the authorized versions of the compositions as published in the Monk fakebook. This arrangement is based on Oliver Nelson's original autograph score - this is not a transcription. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Traducció

Poc Rootie Tootie per The Thelonious Monk Big Band. Editat per Jeffrey Sultanof. Organitzat per Oliver Nelson. Per big band. 1 Saxòfon Alt, 2 saxofons de tenor, 1 saxòfon baríton, 3 trompetes, 3 trombons, guitarra, piano, baix, bateria. Gronxador. Mitjà-difícil. Partitura general i conjunt de peces. Publicat per Jazz Lines Publicacions. JL.JLP-8367. Fons. Thelonious Monk havia passat de ser un pianista peculiar. compositor d'estrella internacional, en molts aspectes, gràcies a un contracte de gravació de Columbia Records, que va començar el 1962. Igual que els artistes de jazz companys a l'etiqueta, com ara Dave Brubeck i Miles Davis, la distribució mundial dels seus enregistraments es va traduir en compromisos i visites importants de tot el món. El 1968 però, Columbia Records estava canviant el seu enfocament pel que fa al jazz i la música popular. La casa de Tony Bennett, Andy Williams i Johnny Mathis, així com Brubeck i Davis era ara la llar de Janis Joplin, Simon and Garfunkel, The Byrds i Paul Revere i els Raiders, de manera que Bennett, Mathis i companyia ara els va animar a modernitzar. Miles Davis anava en aquesta direcció de tota manera, pel que tindria pocs problemes a l'etiqueta, en els propers anys. Mathis i Williams van passar pop. el rock escollint acuradament les seves cançons i eren bastant èxit. Bennett es va negar a ser alguna cosa que no era, i va acabar el seu contracte amb cap suport de l'etiqueta. un dels àlbums que va fer durant aquest període va ser un dels seus millors, arreglat i dirigit per Robert Farnon. prou feines va ser llançat en el U.S. Brubeck acaba de deixar l'etiqueta. Thelonious Monk estava en una posició inusual en aquella època. Hi havia acabat una gira internacional problemàtic, però reeixida amb un octet d'estrelles. Nonet, que inexcusablement no es va gravar per Columbia. alguns enregistraments d'aquest tour estan disponibles en CD no autoritzats. Ell no estava component molt material nou, i Columbia volia gravar les cançons escrites pels Beatles. Els seus dies estaven clarament numerats, però Columbia va acabar el seu contracte amb una explosió. ell va fer un àlbum de les seves cançons amb big band. Si algú era una bona opció per organitzar la música de Thelonious Monk,. més de sala Overton, arranjador de les aparicions de Monk: ajuntament i Philharmonic Hall. , Va ser Oliver Nelson. El 1968, Nelson va ser un resident de Los Angeles després de passar molts anys com a part de l'escena del jazz de Nova York. Un saxofonista que tenia una molt àmplia gamma musical, des del rhythm and blues al hard bop i la música de concert de grups de cambra i orquestra simfònica, va continuar escrivint per a cantants, visita amb els seus propis conjunts petits i grans, i ara estava escrivint per a la televisió i pel · lícules. Hi ha d'haver estat encantats de treballar amb Monk, però estava clar que aquest disc seria fet ràpidament. Arranjaments de Nelson són molt senzilles. tema, sols, fora de cor. , Escrit per quatre canyes, sis de bronze, guitarra, baix, bateria i Monk. L'àlbum va ser gravat en tres sessions de tres hores, dos dels quals es van realitzar en un sol dia. L'àlbum va rebre poca publicitat, i no va durar molt de temps a la www. Notes per al Conductor. Com es va dir anteriorment, aquests arranjaments no són complexos i poden preparar fàcilment per a concerts i concursos. Es poden obrir fins per a qualsevol i tots els solistes, no només de piano, trompeta i saxo tenor. Hem optat per deixar la instrumentació de la manera Nelson tenia. 4 canyes, 3 trompetes, 3 trombons, guitarra, piano, baix, bateria. no s'han afegit peces opcionals. Quan Nelson va organitzar aquestes peces, no hi havia llençols de plom, de manera que Monk ells van jugar per l'arranjador, que els va portar. Fa uns quants anys, l'editor Don Sickler preparar un foli de làmines de plom Monk publicats per Thelonious Música i distribuïts per Hal Leonard. Jo era un dels editors que van treballar amb Don. Totes les melodies d'aquests paràmetres de banda grans s'ajusten a les versions autoritzades de les composicions publicades en el Fakebook Monk. Aquesta disposició es basa en la partitura autògrafa original Oliver Nelson - això no és una transcripció. Jeffrey Sultanof-Febrer 2010 Nota. La mostra de gravació és cortesia de la Manhattan School of Concert Jazz Band Music, dirigida per Justin DiCioccio.