Partitures $16.00

Original

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Traducció

Awatovi. Partitures Fagot. Clarinet Només la música de fulla.

Original

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Traducció

Awatovi composta per Daniel Baldwin. Per Clarinet, Fagot. Nivell 5. Publicat per Imagini Music. IG.CMS126. Les ruïnes Awatovi, ubicats a Arizona, van ser una vegada un poble pròsper Hopi, existeix des de fa més de 450 anys abans que els seus primers visitants van arribar a 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, per més de 150 anys, va gaudir d'una convivència justa pacífica amb els espanyols després, però en 1700, finalment es va arribar a un enfrontament entre tradicionalistes Hopi i els catòlics convertits. El resultat va ser que els tradicionalistes van massacrar als conversos i després destruir el llogaret. Simbòlicament, la caiguda del llogaret va marcar la fi de la interferència en la vida espanyola Hopi. La línia d'obertura pel fagot representa les intencions mixtes dels primers exploradors liderats per Coronado, i es pretén transmetre dues veus hispanoamericanes i nadius. És també una visió del futur per venir, un presagi inquietant de les belles ruïnes encara estèrils per venir. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Si bé l'exploració de Coronat no va estar exempt de conflictes, he optat per centrar-se en la naturalesa pacífica de la seva missió. Hi ha dues seccions aquí. tots dos són espanyols-amb gust, però el primer és el representant de l'exploració, mentre que la segona secció es pretén suggerir una cançó foguera reflectint el que el viatge podria haver estat com a la nit mentre descansaven, van xerrar i van cantar cançons. Això condueix en moviment 2. Kiva. The Kiva murals were discovered in theAwatovi ruins. Són pintures que representen els rituals i cerimònies de les tribus hopi. I have used the style of NativeAmerican flute music to portray this. Següent és el Bugle Call, o el degollament, representada i interpretada pel fagot. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. La música canvia per representar l'atac real, que és interpretat per un passatge de transició molt dissonant i dramàtic. Finalment, els cercles Kiva esquena al material obertura en una clau diferent, simbòlic del canvi en la percepció del conqueridor espanyol, al Hopi descendent. Awatovi va ser escrit per suggeriment del meu bon amic Ric Jones, i va ser recolzat per Richard Ramey i un consorci de jugadors de l'oboè i fagot. Gràcies a tots vostès per la seva visió i suport a aquest projecte. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. La versió de clarinet, fagot i piano va ser estrenada a la conferència IDRS 2012 a Miami University of Ohio per Robert i Mary Nan Jordània el 9 juliol 2012.