Partitures $28.00

Original

Sunrise, Sunset. Jere Hutcheson. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Traducció

Sunrise, Sunset. Jere Hutcheson. -Si bemoll trompeta partitures. Partitures de Forns. Grau 4.

Original

Sunrise, Sunset composed by Jere Hutcheson. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Soprano Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F 1, Horn in F. Band Music. Grade 4. Score only. Duration 8. 00. Published by C. Alan Publications. CN.11931. A piece with somewhat of a ritualistic quality in which 'drumming' provides the constant thread. The Samul-Nori is a performance practice based on ancient Korean folk music. The Samul-Nori is enjoying something of a rebirth in Korea as a popular entertainment performed on stage rather than in the fields. In the summer of 2005, one of my former doctoral students in composition, Soonmee Park, now a distinguished Professor of Composition in one of Seoul's finest universities, was visiting the United States. Dr. Park spent two weeks in East Lansing, and during our reunion she gave me DVD and CD performances of several forms of traditional Korean music. When I viewed the lavish Samul-Nori performance, I was immediately struck by the power unleashed by the four percussionists and the manner in which the music unfolds in a spiritual communal fashion not unlike that of the Indonesian gamelan orchestra performances. Dancers, running and leaping, long tassels flowing from their headpieces, join in from time to time. The moods of the Samul-Nori seem to range from the gentle to the most ferocious and convulsive, often passing through everything in between. I was inspired to write not an imitation of what I heard and saw, but a piece with somewhat of a ritualistic quality in which 'drumming' would provide the constant thread. Over this filament, melodies in the winds, one, two, and three at a time would dance to the beat. I would not, and should not, attempt to emulate true Korean folk practices. The similarity would lie simply in the fact that my ideas were spawned deep from within my imagination and that these ideas seemed to express the activities associated with some communal practices deigned to express both sadness and joy.

Traducció

Sunrise, Sunset composta per Jere Hutcheson. Per a la banda de concerts. Piccolo, Flauta 1, 2 Flauta, Oboè 1, 2 Oboè, Clarinet Soprano en Mib, Clarinet en Bb 1, Clarinet en Bb 2, Fagot 1, 2 Fagot, Saxòfon Alt 1, Saxòfon Alt 2, Saxòfon Tenor, Baríton Saxòfon, Trompeta en Bb 1, Trompeta en Bb 2, Forns en F 1, Forns en F. Band Music. Grau 4. Només marcarà. Durada 8. 00. Publicat per C. Alan Publicacions. CN.11931. A piece with somewhat of a ritualistic quality in which 'drumming' provides the constant thread. El Samul-Nori és una pràctica interpretativa basada en l'antiga música tradicional coreana. El Samul-Nori està gaudint d'un renaixement a Corea com un entreteniment popular realitzat a l'escenari i no en els camps. En l'estiu de 2005, un dels meus antics estudiants de doctorat en composició, Soonmee Park, ara un distingit professor de composició en una de les millors universitats de Seül, estava visitant els Estats Units. Dr. Park va passar dues setmanes a East Lansing, i durant la nostra reunió em va donar de DVD i CD actuacions de diverses formes de música tradicional coreana. Quan vaig veure la fastuosa actuació Samul-Nori, em va cridar l'atenció immediatament pel poder desencadenada pels quatre percussionistes i la manera en què la música es desenvolupa d'una manera espiritual comunal no gaire diferent a la de les actuacions de l'orquestra gamelan d'Indonèsia. Ballarins, corrent i saltant, borles llargues que flueixen dels seus cascos, s'uneixen en de tant en tant. Els estats d'ànim de la Samul-Nori semblen oscil·lar entre el suau a la més ferotge i convulsiva, sovint passant per tot en el medi. Em vaig inspirar per escriure no una imitació del que he sentit i vist, però una peça amb una mica d'una qualitat ritual en què "teclejar" proporcionaria el fil constant. Més d'aquest filament, melodies en els vents, un, dos i tres alhora ballaven al ritme. Jo no ho faria, i no deu, tractar d'emular veritables pràctiques folklòriques coreanes. La similitud seria mentir simplement en el fet que les meves idees es van generar profund de dins de la meva imaginació i que aquestes idees semblava expressar les activitats associades amb algunes pràctiques comunes es va dignar a expressar tristesa i alegria.