Partitures $15.00

Original

Tune in a Popular London Style. Percy Aldridge Grainger. English Horn sheet music. Grade 4.

Traducció

Sintonitzeu un estil popular de Londres. Percy Aldridge Grainger. Full Anglès Banya música. Grau 4.

Original

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Arranged by B. Kopetz. For concert band. Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,. Band Music. Grade 4. Score only. Duration 3. 15. Published by C. Alan Publications. CN.10891. An air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. Tune in a Popular London Style was 'An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties. The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915. 16 in New York City and in railway trains. Notes derived form 'A Source Guide to the Music of Percy Grainger,' ed. by Thomas P. Lewis. While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras. In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer. As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell. In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known 'Gum-Suckers March'. originally entitled 'Cornstalks March-. Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid 500 for producing it. Notes derived from 'Percy Grainger' by John Bird.

Traducció

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Arreglat per B. Kopetz. Per a la banda de concerts. Petit, primer. Band Music. Grau 4. Només marcarà. Durada 3. 15. Publicat per C. Alan Publicacions. CN.10891. Un aire amb gust de 'Music Hall' que incorpora la barreja de Londres d'alegria amb nostàlgia tan familiar en les actuacions de George Grossmith, Jr, i altres artistes de vodevil. Sintonitzeu una popular estil de Londres era "un intent d'escriure un aire amb un" sabor Music Hall 'que incorpora la barreja de Londres d'alegria amb nostàlgia tan familiar en les actuacions de George Grossmith, Jr, i altres artistes de vodevil. Es compon de dues soques, com el solista i el cor de cançonetes de music-hall. El material musical, composta a Londres, data d'al voltant de 1912, i va ser elaborat i anotar durant l'hivern de 1915. 16 a la ciutat de Nova York i als trens. Notes formulari derivats "Guia Source per a la música de Percy Grainger, 'ed. by Thomas P. Lewis. Durant la seva residència a Londres el 1915, Grainger i la seva mare va prendre una decisió ràpida de sortir de Londres. La Gran Guerra havia començat, i Rose Grainger preocupats per les perspectives de carrera del seu fill si es quedaven a Londres. Ells van abordar el vaixell Laconia Cunrad a Liverpool i van arribar a Boston el setembre 8, 1915. Grainger es va combinar en la vida musical de la ciutat de Nova York i va començar a actuar al piano, el que li va valer una gran reputació. Setze concerts estaven reservades per a Nova York amb les principals orquestres, així com nombrosos recitals com a solista. Altres actuacions es van programar a Filadèlfia, Minneapolis, Boston i les orquestres de Chicago. En la primera temporada als Estats Units, les obres de Grainger rebre aproximadament un centenar d'actuacions, encara que Grainger només va ser convidat a dirigir, però un cop. Encara que l'èxit que estava rebent com a pianista era diferent a tot el que va rebre a Europa, va veure que el seu èxit com a artista estava en perill de negar-li qualsevol reconeixement de la crítica com un compositor seriós. A mesura que la seva carrera va començar a florir, la necessitat d'augment dels viatges es va convertir en una necessitat. Sempre Grainger viatjar, ell va prendre el tren. Estimava als ferrocarrils, ja que li van donar l'espai per difondre els seus manuscrits i compondre. Ell sempre viatjava en segona classe, i poques vegades es va emportar el somni, preferint dormir assegut. Ell de tant en tant sortir el tren d'una estació primerenca i abonarà la diferència en la tarifa a una caritat local. Va ser en part durant els viatges en el tren que Grainger va anotar In a Nutshell. Al juny de 1916, Grainger va ser convidat a participar al Norfolk, Connecticut Festival de Música. Va ser per aquesta actuació que va marcar i va posar junts una suite orquestral que va titular En poques paraules. Alguns dels esbossos de l'obra va ser el 1905, i la suite es va publicar finalment en quatre moviments, el moviment final és el conegut 'Gum-Garrins de març'. originalment titulat 'Cornstalks Març-. Malgrat l'estat d'ànim de la jovialitat de la suite, que és seriós en la seva intenció i conté algunes de puntuació més característic de Grainger. La primera actuació es va dur a terme pel Dr Arthur Mees i Grainger es van pagar 500 per a la seva producció. Notes derivats de 'Percy Grainger' per John Bird.