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Original

Te Deum, H.146. Marc-Antoine Charpentier. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

Traducció

Te Deum, H.146. Marc-Antoine Charpentier. Partitures de veu. Partitures Cor. Partitures Acompanyament de Piano.

Original

Te Deum, H.146 composed by Marc-Antoine Charpentier. 1645-1704. Arranged by Jean-Paul Montagnier. For Choral, Chorus, Orchestra, Piano. Vocal Score. Schott. Piano reduction. 56 pages. Schott Music #ED12601. Published by Schott Music. HL.49003275. For SATB Chorus with SSATB Soli and Orchestra. Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque. 3 August 1692. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis. today, Saint-Paul-Saint-Louis. for whom Charpentier had been working as maître de musique since 1687.

Traducció

Te Deum, H.146 composed by Marc-Antoine Charpentier. 1645-1704. Organitzat per Jean-Paul Montagnier. Per Cor, Cor, Orquestra, Piano. Vocal Score. Schott. Reducció de piano. 56 pàgines. Schott Music #ED12601. Publicat per Schott Music. HL.49003275. For SATB Chorus with SSATB Soli and Orchestra. Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Encara que la carrera parisenca de Fuster està bastant ben documentat, es coneix poc sobre la gènesi i la primera actuació del Te Deum, però s'ha suggerit que pot haver dut a terme durant les celebracions de la victòria militar de Steinkerque. 3 agost 1692. És probable, però, que va ser encarregat pels jesuïtes de l'església de Sant-Louis. avui, Saint-Paul-Sant-Louis. per a qui Fuster havia estat treballant com maître de musique des 1687.