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Original

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

Traducció

Cantata No 129. Beneït sigui el Senyor, el meu Déu, BWV 129 va ser. Johann Sebastian Bach. Partitures de veu. Partitures Cor. Partitures Acompanyament de Piano.

Original

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Bach Gesellschaft Ausgabe. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Dorffel. Arranged by Bernhard Todt. Choir and piano. For SAB vocal soli, SATB choir, piano. This edition. Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period. Sacred. Hymns, German. Vocal Score. 40 pages. Published by Serenissima. SA.19689. ISBN 9781932419689. Baroque Period. Sacred. Hymns, German. 6.69 x 9.61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.

Traducció

Cantata No 129. Beneït sigui el Senyor, el meu Déu, BWV 129 va ser. Edició Bach Gesellschaft. Compost per Johann Sebastian Bach. 1685-1750. Editat per Alfred Dörffel. Arreglat per Bernhard Todt. Cor i piano. Per SAB sol vocal, SATB cor, piano. Aquesta edició. Llibre de butxaca. Sagrat Cantata, original Works, Transcripcions, Coral. Barroc. Sagrat. Himnes, alemany. Vocal Score. 40 pàgines. Publicat per la Serenissima. SA.19689. ISBN 9781932419689. Barroc. Sagrat. Himnes, alemany. 6,69 x 9,61 polzades. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.