Partitures $44.12

Original

Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

Traducció

Peter Maxwell Davies. Treball. Partitura d'Estudi. Partitures. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. Baritone. SATB. ORCH. Peter Maxwell Davies.

Original

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

Traducció

Si demana més de 10 còpies, si us plau truqui al 44. 1284 725725 per comprovar la disponibilitat. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzosoprano. , Paul Moore. tenor. i Kevin McMillan. baríton. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Igual que Vaughan Williams en la seva ocupació. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. El baríton té la part del lleó de la configuració, encara que els altres solistes de vegades reforcen la seva declaració i corals com episodis universalitzar la seva situació. Davies s'emmarca amb el treball amb dos passatges de cant pla com seminals. també hi ha un munt de contrast dramàtic tant dins dels monòlegs d'ocupació i en l'escriptura orquestral vívid per als edredons melosos, el Déu inicialment estrident que finalment apareix d'un remolí orquestral enlluernador i la vida animal que s'utilitza per il·lustrar les meravelles de la creació d'un humil Job..