Partitures $14.60

Original

Matthew Locke. Songs and Dialogues for Voice and Basso Continuo. Sheet Music. Voice and Basso Continuo. VCE. CONT. Matthew Locke.

Traducció

Mateu Locke. Cançons i Diàlegs per a veu i baix continu. Partitures. Veu i baix continu. VCE. CONT. Mateu Locke.

Original

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. and. D - D. A Dialogue between Apollo and Neptune. D - F. and. G - D. A Dialogue between Thirsis and Dorinda. E - G. and. C - E. Bone Jesu Verbum Patris. C - F sharp. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D sharp - G. The Passing Bell. D - F. with chorus. sop. F sharp - F nat. bass. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.

Traducció

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. i. D - D. A Dialogue between Apollo and Neptune. D - F. i. G - D. A Dialogue between Thirsis and Dorinda. E - G. i. C - I. Bone Jesu Verbum Patris. C - Fa sostingut. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D forta - G. The Passing Campana. D - F. amb cors. compensació. F sharp - F nat. sota. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.