Partitures $31.49

Original

Eugène Bozza. Contrasts III, for Clarinet and Bassoon. Sheet Music. Clarinet. CLT. Eugène Bozza.

Traducció

Eugène Bozza. Contrasts III, for Clarinet and Bassoon. Partitures. Clarinet. CLT. Eugène Bozza.

Original

To this day, Eugène Bozza. 1905-1991. remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1955, Bozza 's Brief Piece is to be played on the Alto Saxophone and is a virtuosic work, addressing advanced features including, complex rhythms, chromaticism, a wide range and articulation. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.

Traducció

A dia d'avui, Eugène Bozza. 1905-1991. segueix sent un dels compositors més prolífics dels instruments de vent, tot i ser ell mateix un violinista. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. Durant els seus estudis al Conservatori de París, Bozza guanyar premis per a violí, direcció i composició, així com el Gran Premi de Roma. Després va dirigir l'orquestra de l'Opéra-Comique i es va convertir en cap del Conservatori de Valenciennes, sense deixar de ser un compositor destacat. Composed in 1955, Bozza 's Brief Piece is to be played on the Alto Saxophone and is a virtuosic work, addressing advanced features including, complex rhythms, chromaticism, a wide range and articulation. Com pedagog musical, Paul Griffiths ha escrit de composicions Bozza 's ", les seves obres revelen la fluïdesa melòdica, l'elegància de l'estructura i una preocupació constant sensible de capacitats instrumentals.