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Like The One

Partitures
Original: The Whole Booke of Psalmes. With The Humnes Evangelicall, and Songs Spiritual. The humble Sute of a Sinner.

Traducció: The Whole Booke de Psalmes. The Music of Thomas Ravenscroft - The Whole Booke of Psalmes. The Lords Prayer.

Partitures
Original: Sweet was the song. This arrangement seems to be able to be performed in one of two ways. Anonymous. 4 viols. optional.

Traducció: Dolç era la cançó. However, it is consistently high in the tenor register so having a scoring of SAATB seems preferable to me.

Partitures
Original: Ecce panis angelorum I. Transcribed from the Trent manuscript tr89. bottom two parts in the score. Anonymous. A cappella.

Traducció: The performers have to choose one of the two Contra parts. , the lower being defined "Contra alter Ad placitum".

Partitures
Original: Abendempfindung an Laura. It is the longest lied Mozart ever composed. Wolfgang Amadeus Mozart. Piano. Secular , Lied. Solo Soprano.

Traducció: , and the verses well represent one of the peculiar aspects of Mozart's personality. Pla. Seglar, Lied.

Partitures
Original: Regina Coeli, KV 276. There are four Marian antiphons, one for each season of the year.

Traducció: Mozart's Regina Coeli , K. 276, is a Marian antiphon, a type of liturgical chant common in the Gregorian repertory.

Partitures
Original: Black-eyed Susan. I remembered going shopping in Jardine's Bazaar, which was around the corner from where I lived.

Traducció: the Hoi Ping Road mentioned in the song. , and talking to one of the stallholders there. " at the end.

Partitures
Original: Three Fiona MacLeod Settings. Fiona MacLeod was a creation or perhaps alter ego of the Scottish poet William Sharp.

Traducció: Tres Ajustaments MacLeod Fiona. Oliver Barton. A capella. Seglar, Cançó. Idioma. Anglès. 1855–1905.

Partitures
Original: I saw my lady weeping. Part one of two, the second being Like as from heaven. Alfonso Ferrabosco I. A cappella. SSATB.

Traducció: Vaig veure la meva dona plorant. A capella. Seglar, Madrigal. Idioma. Anglès. De Musica Transalpina.

Partitures
Original: Conditor alme siderum. Pietro Pontio. A cappella. Sacred , Office hymn. Language. Latin. A four part hymn.

Traducció: Conditor menys siderum. Peter Pontio. A capella. Sagrat, himne Oficina. Idioma. A quatre parts himne.

Partitures
Original: I laid me down. The first section of this piece could be sung by a soloist, a small group of women, or all women. Maggie Furtak.

Traducció: Jo em vaig ficar al llit. A capella. Sagrat, Anthem. Idioma. Anglès. SSAATB.

Partitures
Original: Sweet Day. Like Vaughan Williams , I omit one inner stanza of the poem -- but a different one from RVW.. SATB.

Traducció: Jeffrey Ràpida. A capella. Seglar, Cançó. Idioma. Anglès.

Partitures
Original: Lord, we confess our numerous faults. Maurice Greene or, more likely William Tans'ur. A cappella or keyboard. Sacred , Hymn Meter.

Traducció: Although one source attributes this tune to the XVIIIth century English organist Maurice Greene. A capella o el teclat. 86.

Partitures
Original: Missa tertii toni. A four part mass, edited from what is probably an 18th Century manuscript copy of the work. Rodrigo de Ceballos.

Traducció: The Kyrie is suitable for SATB voices. A capella. Sagrat, Massachusetts. Idioma. Latin. SATB or SAAT or SAATB.

Partitures
Original: Du fons de ma pensee. polyphonic version of Psalm 130, with French text by Marot, no link with the Geneva melody.

Traducció: The music is of high quality. While adding a Bassus he soon found out that the second part is perfect as it is.

Partitures
Original: I laid me down. The first section of this piece could be sung by a soloist, a small group of women, or all women. Maggie Furtak.

Traducció: Jo em vaig ficar al llit. A capella. Sagrat, Anthem. Idioma. Anglès. SSAATB.

Partitures
Original: Three Fiona MacLeod Settings. Fiona MacLeod was a creation or perhaps alter ego of the Scottish poet William Sharp.

Traducció: Tres Ajustaments MacLeod Fiona. Oliver Barton. A capella. Seglar, Cançó. Idioma. Anglès. 1855–1905.

Partitures
Original: Three Fiona MacLeod Settings. Fiona MacLeod was a creation or perhaps alter ego of the Scottish poet William Sharp.

Traducció: Tres Ajustaments MacLeod Fiona. Oliver Barton. A capella. Seglar, Cançó. Idioma. Anglès. 1855–1905.

Partitures
Original: Three Fiona MacLeod Settings. Fiona MacLeod was a creation or perhaps alter ego of the Scottish poet William Sharp.

Traducció: Tres Ajustaments MacLeod Fiona. Oliver Barton. A capella. Seglar, Cançó. Idioma. Anglès. 1855–1905.

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